Volume vs Watts

Everyone seems to think that they need more watts to get more volume.  While it is true that more watts will be louder than less given the same speaker, it is also true that the speaker is more important than the watts in most cases.

For every 10db gain (double perceived volume) you need a 10x multiplication of wattage.  So a 100watt amp is only twice as loud as a 10watt amp.  The reason this doesn’t normally seem so is that 10watt amps normally have poor spl rated speakers, making the 100watt amp sound more than double the volume.  Playing through a better speaker will help increase your db rating, and hence your overall volume.

So you can see that a 90db speaker on 100watts is less volume than a 102db speaker cab with only 10watts.  Most inexpensive amps come with speakers of about 90-93db.

Now, to keep up with an average drummer you will want about 110db.  To reach this level you could use a 100watt amp with a 90db speaker or you could run a small 10watt amplifier with a 100db or better speaker.

That means my little Dean Markley which is running at 20watts on a 92db speaker is pushing 105db or so.  If I ran it through a rated at 99db that would bring me up to to 112db – plenty of volume for me to do some small gigs with it.  Although more likely I would get a Fender Frontman 65R as it pushes 111db stock on it’s built in speaker, or 120db with a 99db speaker.  This would do small gigs on it’s own and most larger ones simply by plugging in a 4×10 cab.

The calculation for total db is this:
{log (watts of amplifier) x 10} + speaker spl rating in db at 1w = total db output

Or if you want to figure out what db speaker (or cab) you need to hook into to get a certain desired db output:
Desired db output – {log (watts of amplifier) x 10} = Necessary speaker/cab db rating at 1w

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More focus on guitar, less focus on electronics

It seems that at times I get so focused on building a new effects pedal or amplifier that I spend hardly any time at all actually playing my guitar.  Last Sunday Isaac and I finished recording our Christmas special, “Joy To The World.”  I did the arrangement this year and chose to do it in a punk style since we hadn’t done it before.  Isaac played bass and sang backup vocals while I played guitar and sang lead.  It came out quite well.  I did use my 5th Gear Overdrive pedal for the recording, which satisfied my electronics hobbyist needs, but most importantly I had fun playing.  I need to play my guitar more often.

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Life Lessons

Breaking the mold,
It’s time for something new.

Learning guitar
After nine years of playing.
New themes and code,
But the websites are staying.

Married and happy,
We think of children.
Already we have our Criddos
And wouldn’t be without them.

The steps we must take
Aren’t always planned ahead.

– JR 2010

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Hark! A new lust-worthy guitar!

Well, it’s new to me.  I’ve long been a Les Paul junky, despite never owning a “true” LP and giving the one I did have to my brother in law as a present.  Then I got my Harmony Bobkat H15V and fell in love with the Jaguar/Jazzmaster platform.  I had considered one of the new Fender Blacktop Jaguars, but I already have the guitar that satisfies my Jaguar playing needs.  So I started looking at Les Pauls again.  Gibson guitars are way too pricey and the Epiphone variants aren’t quite there in terms of quality.  Enter the PRS SE line of guitars, specifically the Singlecut.  Introduced in 2000 and still being made today.

2010 PRS SE Singlecut in Cherry Sunburst finish

The PRS SE line is made in Korea and is the budget line of PRS (all other PRS guitars are made in the USA).  They are still a setneck design and have excellent quality components.  The difference between this guitar and the “real” Les Paul are few but important.

1.  Set neck
2.  Only two control knobs instead of four, 3 position switch is moved
3.  No pickguard
4.  Single cutaway is beveled
5.  Backside of guitar has a bevel to rest on your chest better

So basically it is a refined but stripped down Les Paul – PERFECT!  Musician’s Friend has them new for $619 in the Cherry Sunburst finish or just $399 in Vintage Natural.  I’d probably try to find a local music shop to get one myself though since I like to support local businesses when I can.  Also, with any luck I might find one used and save a few bucks.

**edit**

Had to add a picture of the Vintage Natural finish, for $399 it can’t be beat and it really is still quite handsome.  Actually, the more I think about it, the more I like this finish.  I think I was drawn into the Cherry Sunburst because that is a classic Les Paul finish.

2010 PRS SE Singlecut in Vintage Natural finish

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That’s it – we need a real sump.

This morning we woke up to a flooded basement.  Luckily only 1″ of water at that point (although with much more on it’s way) and the sump wouldn’t stay running.  I messed with it for half an hour, then had to buy a new one so we could make sure our furnace stays dry.  I got home and the old one had started working.  Not trusting it, I pulled it and installed the new one.

So, $150 later, we still have a “surface pump” which evidently isn’t the most reliable way to keep your basement dry.  Now it’s time, sometime in the next year or so we’re going to have to rent an electric jack hammer, put a hole in the basement (probably under the stairs leading outside), cement in a 5 gallon bucket flush with the floor and put in a pedestal sump pump.  No more 5/8″ rubber hose for the sump pump (pedestal pumps use 1 1/4″ PVC), no more needing to remember to plug the pump in when it’s wet out etc…ah, the good life.

Crappy thing, a pedestal pump is $100, and renting the jack hammer is about $50.  So if I had done this earlier we wouldn’t have wasted the money on another surface pump.  I guess you live and learn, right?

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